One and Three Pasta references to canonical works like Joseph Kosuth?s One and Three Chairs and Donald Judd?s untitled stacks.
Dreher discusses the semantic problems of " One and Three Chairs " as inclusions of circles which represent semantic fields.
The work " One and Three Chairs " can be seen to highlight the relation between language, picture and referent.
Ironically, " One and Three Chairs " can be looked upon as simple but rather complex model, of the science of signs.
One of his most famous works is " One and Three Chairs ", a visual expression of Plato's concept of the Forms.
It problematizes relations between object, visual and verbal references ( connotations and possible denotations which are relevant in the context of the presentation of " One and Three Chairs ".
Works include One and Three Chairs, 1965, is by Joseph Kosuth, and An Oak Tree by Michael Craig-Martin, and those of Joseph Beuys, James Turrell and Jacek Tylicki.
These artists also tackled the problem of presenting " concepts " to an art audience . " One and Three Chairs " is, perhaps, a step towards a resolution of this problem.
Works include " One and Three Chairs ", 1965, by Joseph Kosuth, and " An Oak Tree ", 1973, by Michael Craig-Martin, and those of Joseph Beuys and James Turrell among others.
Rather than present the viewer with the bare written instructions for the work, or make a live event of the realization of the concept ( in the manner of the Fluxus artists ), Kosuth instead unifies concept and realization . " One and Three Chairs " demonstrates how an artwork can embody an idea that remains constant despite changes to its elements.